With this shot we were hoping to use this as a five minute time lapse where it's sped up and use it as filler shots as it is picturesque and the scaffolding in the background creates an interesting pattern, along with the formation of the lamp posts how they are parrallel creates an nice look.
This shot is a 360 degree pan. We all really liked this shot especially in a court like area which created a looming, big city feel which is what i think The Script like to be represented against as they have done so in other videos i have researched.
These are two of the many shots of iconic London landscapes that we shot to use as a quick 1 second filler in places. We feel this corresponds to the Script again as they like to be associated with big cities e.g. New York in 'The Man Who Can't be Moved'.
This shot is a mid shot of our lead singer. I think the fact he is facing away is good with a position like this it seems as though hes in deep thought and really meaningful about what he's singing. Furthermore the fact you cant really see his face conforms to Dyer's theory of present and absent, the singer is there in the shot yet you cant fully see his face which would make consumers continue watching to see his face. The backdrop of London once again shows a typical represntation of The Script.
Well done George some good photos. Are you still going for the colour popping look, ie monochrome with say red bus? this would work if it is a dull day when you film
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